“JUBILEE” is Versailles’ first major album under Warner Music Japan. With this new release comes a variety of new features and sounds, as well as a truly though-provoking performance.
The tracks on this album deviate from the heavier, symphonic metal sound to a gentler, airy, neo-classical
Versailles’ latest release, “Holy Grail”, is their second major release with Warner Music Japan, one heavily anticipated by fans. The album takes a slightly different turn from past works though the tracks still strongly incorporate neoclassicism and complex melodies. It is heavily
“Lyrical Sympathy” gives off an aura of sentimental despair. While the feelings of being shrouded in despair are consistently evident throughout the album, Versailles does not limit themselves to one style of delivery. The natural flow of melody, from intensity to calm and back again,
Versailles’ third release under Sherow Artist Society, “PRINCE & PRINCESS”, at last gave a home to “Prince”. Though the album only contains three tracks, it competes with any other twelve-track album. It is filled with fairy-tales, heavy when due, but also romantic, expressive,
The release of Versailles’ second single under Warner Music Japan, “DESTINY -The Lovers-” was eagerly awaited by many fans. The start of their career with their new bassist, MASASHI, is also the continuation of a journey that Versailles once began with former bassist, Jasmine You. Though
“Noble”, the first full-length album by Versailles, was released in 2008 under KAMIJO’s indie label, Sherow Artist Society. Heavier in melody as well as lyric content than later releases, it is perhaps the most symphonic-metal sound they have ever released. It is fitting, as